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Park
Opera is lucky to have a dedicated team of backstage members, who
work together to ensure that our productions achieve the highest
standards of technical support.
Sets
Our sets are designed by Keith Ward, who also overviews their construction.
He is ably supported by Bob Moore, Tony Bentley, John Marshall and
Alex Dickson, who is also our Stage Manager. The sets are built
on Saturdays in the Technology Department of a local school, ready
to be erected in the Wilde Theatre on the Sunday before each production,
with great support from other members of the Society.
The sets are painted initially in the school, but need to be finished
in situ. A team of enthusiastic and mainly amateur painters include
regular contributions from Sallie Ward, Sue and Claude Lawrence,
Sara Bowring, Adrian Taylor and Sian Pearson. Clifford King paints
much of the detail.
New members of our backstage team are warmly welcomed; please contact
Keith Ward on 01753 854093 or by
email drjkward@aol.com.
Choreography
Many of our productions are enhanced by movement and dancing. We
have been fortunate to work with The Susan Handy School of Dancing
whose Principal, Susan Handy, has choreographed several of our productions,
notably Hansel and Gretel , for which Susan Handy produced
a ballet of fourteen angels for 15 minutes, and was one of the highlights
of the performance.
Members of our chorus enjoy the challenge of performing sometimes
quite complicated dances, and this was the case in Eugene Onégin
, when Dawn Thompson direted a lively Russian peasant dance
and a stately minuet which were described in a review as "lively
and wittily managed" and "particularly inspired."
Recently, our dancing has been choreographed by Lucy Dickson, a
member of the chorus. A pupil of Susan Handy, Lucy has been singing
and dancing in our productions since she was five in 1987. Lucy
has been responsible for the choreography of A Masked Ball
(in which the ball scene was described as "memorable
and beautifully choreographed"), The Queen of Spades
("The choreography in this performance was simply astonishing,
perhaps most impressively in the lovely masque, with its classic
shepherds and shepherdesses"), and most recently La Traviata
("We also enjoyed the gypsy dancers, they too were clearly
both trained and experienced dancers who brought a light hearted
touch to the opera: congratulations to Lucy Dickson who both danced
and choreographed").
If you are interested in dancing in our productions, please contact
Lucy Dickson on lvkdickson@aol.com.
Properties
Each production requires a huge variety of furniture and hand props,
ranging from desks and thrones to daggers and candelabra. Some of
our props are hired, many more are begged, borrowed and hunted for
in charity shops and antique markets by Vanessa Pleace, Sue Turner
and Hilary Male, who are experts at finding just the right object
to satisfy the demands of the Producer.
Wardrobe
Many costumes are hired, but for some shows it is necessary to make
certain items. For example, for Faust our costume department made
thirty angel robes; for Aida the lady principals’ and the dancers’
costumes were all made, and in Queen of Spades all the Russian peasant
costumes, including the headdresses were provided by our Wardrobe
team who work tirelessly to make these beautiful contributions,
but would welcome any one who has an interest in costumes. Please
contact Keith Ward as above.
Lighting
This often underrated, and vitally important aspect of production,
is in the capable hands of Michael Taylor and Oliver Welsh, who
work in co-operation with the set builders to set-up a complete
lighting rig in one day – on the Sunday before the production.
Make-up
Elaine Hawkes has been responsible for make-up for many years. She
specialises in character and historical make-ups; she is ably supported
by Sara Bowring, Rowena Welsh and Sue Moore.
Posters and Website
Two graphic designers are responsible for Park Opera’s posters
and website. Tom Ward has designed our posters since he was a teenager.
The website was designed by Asha Gilbert and is maintained by Keith
Ward.
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The Queen of Spades - early days in the workshop
The Queen of Spades - erecting the set
The Magic Flute - in pieces on the floor ...
The Magic Flute - one going up ...
The Magic Flute - two up...
The Magic Flute - all up
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